艺术家：陈丽珠

开幕时间：2015年9月6日 16：00

展览时间：2015年9月6日至2015年10月5日

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2015年9月6日，蜂巢当代艺术中心将于C展厅推出陈丽珠个展“空·间”。

陈丽珠1979年出生于中国福建，2005至2007年间，陈丽珠在荷兰格罗宁根汉斯大学美术学院度过两年留学生涯，自此陈丽珠开始了抽象化的艺术创作。在荷兰期间她甚至一度抛开了绘画，转而尝试了装置媒介，这些实验性作品实则体现了绘画的思维方式，具有古雅而抽象的绘画情结。

陈丽珠对颜色非常敏感，回国后，她重新以绘画作为主要媒介进行创作，这同时也是她关于色彩的诗性实验。她在2007至2009年期间集中地思考和研究了“颜色的秉性”，如颜色和颜色之间的冷暖如何“共存”，画面在不同干湿度情况下颜色的呈现情况等。2010年到2012年，陈丽珠研究了马列维奇的“黑方块”，并创作了一系列《告别马列维奇》画作。画面中，马列维奇的黑方块被沿着对角线切掉了两个小方角，这个看似简单的动作让画面从静态变为动态，而更重要的是从二维变成了三维：从一个平面的黑方块变成了两个黑方块在空间中的叠错。陈丽珠就此开始了她的空间实验，“空间”系列也由此而来。

陈丽珠 复活 201312016 2013 布面油画 100×100cm

自2012年持续创作至今的“空间”系列也是本次展览将呈现的主要作品。

陈丽珠沉醉于中国园林，尤其热衷于园林里的传统“借景”手法，即有意识地把园外的景物“借”到园内视景范围中来。她在画面中也使用了同样的手法，收无限于有限之中。宋代理论家郭熙所说的 “可居可游”便是她意图创造的空间。观者可以想象自己置身画中，跟随画面（颜色和形式）的变化移步换景，画面处理空间的形式则可看作公共建筑。“空间”系列常常以组合和系列的形式展现，这种方式创造了时间上的延续性并延展了画面的空间视角，陈丽珠希望为观众提供“阅读”和“游走”的时间，在“空间”中，观看也不再是传统意义上的“看”画。

陈丽珠 空间系列（24） 2015 布面油画 60×80cm

Hive Center for Contemporary Art will feature Chen Lizhu Solo Exhibition Absence-Space in the Hall C on Sept. 6th 2015.

Chen Lizhu was born in Fujian in 1979. From 2005 to 2007, Chen studies at Frank Mohr Institute, Minerva, Hanzehogeschool Groningen in Netherlands; from then on , she launched her abstract artistic career. During this period, once she even abandoned the form of painting and dealt with the media of installation. These experimental works reflect effectively the pictorial way of thinking suggesting a classical and abstract complex of painting.

陈丽珠 双重系列No.2 2014-2015 布面油画 120×100cm×2

Chen is fairly sensitive to color. After her return to China, she reemployed painting as major creative media and conducted her experiment with the poetics of color. From 2007 to 2009, Chen Lizhu started to consider and study “the nature of color”-“studying color like scientists in a lab, for example, how does warm and cold colors “coexist”, how the colors appear in different environment of humidity.” From 2010 to 2012, she spent two years studying Malevich’s Black Square and her final accomplishment was a small painting, Farewell to Malevich. In the picture, two little corners were cut off from Malevich’s black square along the diagonal line. This seemingly simple action changed the picture’s state from static to dynamic. What was more important, the picture changed from planar to three-dimensional: from one black square in one plane to two black squares overlapping in the space. That was how Chen Lizhu started her space experiment which marks her Space Series.

The Space Series, being created since 2012, will be the major works featured in this exhibition.

Chen Lizhu loves Chinese Gardens, particularly the traditional technique of “borrowing scenery” which brings the scenes outside the garden in the interior viewing horizon of the garden. She uses the same technique in the frame that involves the infinity in the limited space. The “habitable and enjoyable” space suggested by Guo Xi, the theorist in Song Dynasty, is the style that she intends to pursue. The spectator can imagine himself inside the painting and follows the frame (color and form) as it shifts; the way by which she deals with the space may be regarded as that of the public architecture. The Space Series reveal as a group or a series which create the continuity of time and extends the spatial viewpoint. Chen Lizhu hopes to provide the spectator with the time of “reading” and “walking” ; in the “Space”, Seeing is no longer “appreciating” a painting in the traditional meaning.

空间系列（31）2015 布面油画 80×60cm×4

听路No.2 2011 布面油画 24×33cm