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2015-11-25 21:50
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Producer: Gu YanOrganizer: Yuan Art MuseumSymposium: 29th November, 2015 2:30 pmOpening: 29th November, 2015 4 pmExhibition Duration: 29th November – 20th December, 2015Venue: 112 Lizexiyuan North Guangshun Street Wangjing Chaoyang District, Beijing ………… 李迪：对冲，空间的再造与艺术的重生 在北京元典美术馆的展览对于我而言是一次新的艺术尝试和实践。从展览的第一个阶段开始就充满了变数和惊喜的过程，经历了拆墙装墙，现场制作，现场拍摄影像与延时摄影，现场监控录像的全程监控拍摄，作品呈现和展示，这么一个看似不简单确实也比较复杂的工作流程。展出期间我们还尝试在这个空间里进行跨媒介对话。当宁静下来思考这个过程的时候，感觉到恰恰是这种不可预设的过程，为我展开了更多的想象空间，促使我把一件事情在向前推进，这也是为什么我觉得这个展览其实只是完成了我整体构想的一部分的原因，应该说，至目前为止，我已经做到了用纯粹的语言做出纯粹的作品的目的，但艺术原本就不能终结和赋予其结果，我应该在过程中发现过程的延续性与可能性，这就是现在开始第二个阶段的工作的因果关系。即作品下墙并重新组装，用相同的作品元素组装成完全不同的展示方式，并且用这种不同的展示方式重新构成空间的节奏和语序，获取新的视觉经验和感受。
B54A0174 艺术不是思想的直接表述，它是为思考提供一个视觉通道，让不同经验的眼睛和大脑从不同的渠道汇聚于一起，再以不同的语言述说和诠释回归思考原点。被艺术激活，这才是艺术能带给我们的价值所在。艺术是不可定义的，而是一种生成性的实践与具体性的结果，艺术的开放性决定了只有在实验的过程中才能去把握它的本质，而不仅仅是对某种概念墨守成规。艺术也是空间的再造和改变的过程中生成的一种记录和为记忆做的一次暂停，艺术更是一次次在生命翻新过程中的自然重生的呈现。
B54A0185 确实，我试图让作品改变空间关系，而非相反的被改变，至少是一种互为相符的互动关系，理论上讲它的变数是无限的，这取决于思考的活跃度和自由度。仅仅是把作品植入空间这样无聊的事情，不是我这个展览所追求的核心价值。我一直试图尽量保持思考与创造的自由状态，在破坏与建立，解构和重组的复杂关系里寻找一个独立的通道，获得新的视觉经验和空间意识的生成。 用简单的排除绘画主体性和工具，突出扩张性的媒介作用。所谓无意识绘画其实并非思想的孤立无源与个体突显，相反，它是一种对主题附庸的反叛和对艺术之于艺术价值的再次确认和自觉意识的觉醒。从制作中的身体与空间关系，内在与外部的沟通，自我与他人的意识互动，所呈现出来的分析性与新的表达语序，都会改变和扩充原本出发点时思考的内涵。那么这个步骤将使得原本的二维呈现转换为立体空间的多维度介入，让人重新审视时间和空间的位置和互换，产生新的自我经验，感受观者与主体作品之间发生的磁场感应。想象空间，客观空间，最终转变为实体空间，再回馈和溶解在思维和知觉之中，产生与激发新的想象力和创造精神，让空间与个体关系和界定产生社会性互动关系。我之所以突显艺术语言的自觉，是因为它本身具有撼动主客双方的意识，使之产生共鸣的功能，艺术作为艺术的价值存在，艺术的所谓社会性的意义或许就在这里。
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mmexport1448348755340 既然艺术过程如此重要，就要生命不熄，折腾不止。Li Di: Opposition and Resistance: The Reconstruction of Space and The Resurrection of Art The exhibition at Beijing Yuan Art Museum to me is a brand new experiment and approach in art making. The entire process was filled with unforeseen variables and surprises since the beginning. We have gone through tear down and installation of walls, producing work, filming and time lapse photo documentation, closed circuit surveillance videos and filming - all done on site. The presentation and installation of the artwork is a work process that seemed complex and was indeed truly difficult. Throughout the exhibition we also attempted to conduct a discussion of cross medium within this space. When we reflect back to this process calmly, I felt it was indeed this process without a previously set plan that gave me the ability to open up my imaginative space and impelled me to push things forward. This is also the reason why I believe this exhibition has only finished a part of my entire concept. In other words, as of today, I have accomplished my intention of creating an elemental art piece using an elemental language. However, art was never able to neither conclude nor endow a result. I need to discover the continuity and possibility of the process through the process itself. This is the logic, or the cause of effect for starting the second phase of the work, which will be the take down and rearrangement of the piece. By using the exact same elements and rearranging them into a completely different method of exhibition, and using this new method of installation to reconstruct the rhythm and order of the space, it will hopefully achieve a brand new visual experience and sensation.
mmexport1448348781870 Art is not a direct expression of the concept. It simply provides a visual channel for the concept that converges eyes and brains of diverse experiences, and let everything return to the starting point of reflection through different kinds of language narration and annotations. The value art provides us is indeed it’s ability to activate ourselves. Art is indefinable. It is the result of a practice of generativity and materiality. The openness of art determines that the only way to grasp its nature is through the process of experimentation rather than clinging to some kind of outdated concept. Art is also a documentation and a pause in memory within the process of recreating and transforming space. What is more, art is the natural presentation of resurrection in the repeated renovating process of life.
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mmexport1448348818203 Indeed, I attempt to alternate the relationship of space through the work, rather than the work being alternated by the space. It is at least an interrelationship of correspondence. In theory its possibilities in variable is infinite depending on the activeness and the freeness of the mind. The essential importance I am pursuing in this exhibition is much more than the tedious action of placing an artwork within a space. I have always tried to stay free in thinking and in creating, in order to find an independent channel through complex relationships between destruction and construction, deconstruction and reconstruction. Through this I can generate new visual experience and spatial awareness. The usage of eliminating the subjectivity of drawing and its tools emphasizes the expansivity and the effect of the medium. The alleged unconscious drawing is not the isolation of the mind without outside reference or highlight on individualism. Rather in the opposite, it is a revolt to the dependency in theme, a reassurance of art in terms of artistic value, and an awakening of self-awareness. The analyticity and new language sequence presented through the relationship of body and space in the making, internal and external communications and interaction between the awareness of self and other will all alternate and expand the original reflection and intension found at the point of departure. This procedure will transform the original two-dimensional presentation into a cubic space involving multiple dimensions. This will lead to the re-examination of time, space, and their interchanging positions, and will produce a new self-awareness that experiences the reaction between the audience and the art subject. The imaginative space, the subjective space will in the end transform into material space, creating and inspiring new imagination and creative spirit within the response, assimilation and conscious. This will lead to the social interactional relationship between space, individualism, and their definitions. The reason I emphasize the self-awareness of artistic language is due to its ability to affect the awareness of both the subject and the object, resulting a resonance. Art should exist by means of its artistic value. The importance of sociality in art is perhaps within this.Since the process is so critical in art, we should persist in experimentation until the end of our lifetime. |
来源：墙报展览预告
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