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2015-06-03 11:28
展览时间 Exhibition：12. 06. 2015 - 18. 07. 2015开幕时间 Opening：TH. 11. 06. 2015, 6pm > 9pm展览地点 Address：8B, Rue de l'Abbaye 1050 Brussels Belgium ......................... 比利时菲籽画廊将于6月11日-7月18日举办中国青年艺术家李易纹同名个展--《李易纹》,将呈现李易纹2014-2015年创作的多件新作品。There will be an solo exhibition “LI YIWEN”by Li Yiwen at the FEIZI gallery in Brussels from June 11th to July 18th,2015.
 The aesthetic taste of Li Yiwen’s paintings is closely linked with his personal artistic experience. He has long been intoxicated in the ethereal world of water and ink and the beautiful tradition of calligraphy. The simple, quiet and poetic aesthetic essence of traditional arts istranslated and infused into his oil paintings knowingly or unknowingly, all in a subtle and natural way. That’s why we feel no affectation in his works. Besides, as far as form is concerned, Li Yiwen adopts a post-modern approach, no matter it’s a grand scene or a tiny one, whether there are people in the scene or not. There are dissociation, filtration and elevation of images, andalso diversion, combination and mixture of the images. He blends, specifically, theelements of illogic, irony, fiction, heterotopia and pulp fiction into the picture, oversetting the old painting narration, meanwhile generating a new meaning for the image----a perceptible de-familiarized modality. In this way, the space for imagination keeps being opened and extended. So to speak, he expands the rhetoric of painting in a certain sense, and constructs a new painting language.Li Yiwen’s painting language reveals his inner struggle of release and restraint: from the entanglement of logic andillogic, certainty and uncertainty, different elements of a picture(structure, color, line, stroke, figure, total, local) are playing tug-of-war with each other, overlapping in intergrowth, cancelling each other and then get reborn, which displays the complicated yet simple form of painting. And on such a basis he creates a painting style where truth and fiction,normal and absurdity coexist. Against the background of China’spolitical, economic and cultural transformation, contemporary art undergoes rapid changes. As a part of it, painting displays a feature that is both diversified and fragmental, and its language is also changing direction----daily experience, microscopic narrative and that of the noumenon of art are gradually taking the place of grandnarrative, the narrative of collective unconsciousness and political unconsciousness. That is to say, whenthe old discourse breaks down, a new language is being constructed, so the tendency towards daily narrative and the return to the noumenon of art becomes necessary. In such an art context, Li Yiwen focuses on studies and analysis of the relationship between self and the other, history and reality, form and language,and finally discovers a niche for paintingamong multitudinous complicated artphenomena, discovers a painting language suitable for the expression of self-awareness----he manages to keep a certain balance in his artistic creation, that is, to paint with proper restraint, with skill and ease, being both exquisiteand bold, being rigorous yet not rigid.
Excerpt from <Li YIwen: Painting is the language> by Huang Du
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来源：墙报展览预告
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