姓名：徐瑞謙

院校：国立台湾艺术大学

专业：雕塑系

作品名称：共振Resonance1

装置 尺寸可变 铁、弹簧 创作年代 2018

作品故事：我们可以从巴舍拉(Gaston Bachelard)的观点中了解到，物质有其顺从性与攻击性，是非惰性的，企图去挖掘身存於内部的本质，能量与动态性间的展现，去形构出崭新的意象，在这活动中指向了一种超越，显现出想像物质与实在物质的存在之间的主动性与动态性的差异。 将如何被唤醒！ 透过不定形结构形成线性与面之间的延展，藉由手操作的劳动质感，重新对身体、物件、环境空间的感知关系做探讨。 铁板上记录着动作的过程，弹簧汇集了力量，身体与物质间的碰撞，主动与被动间，相互的给予、交缠，慢慢在痕迹中被阅读。在暂停中，去找寻拉扯、敲打、挤压、撑起，吸收，聚集，掀开，这些动作後物质间相互影响下的结果，找寻之间的动静关系以及力量的释放与聚集。它们邀请着我们进入属於它们的边境上相互牵引着，凝聚着，那段距离也在来往过程中测量着，力有时被锁住，有时扩散在空间中围绕着，维系着之间的平衡。 动与被动间 We can learn from Gaston Bachelard that matter has its own obedience and aggression. It is not inert. The attempt to uncover the essence within, to manifest energy and dynamics, to craft brand new images – such an activity points to a certain transcendence; it demonstrates the distinction of agency and dynamics between imaginary material and actual material. How It Shall Be Awakened! Through creative extensions between lines and surfaces, through amorphous structures and the quality achieved by handcraft, this work seeks to re-examine perceptual relations between bodies, objects and environmental spaces. The iron slate records the process of movement, while the spring accumulates forces. Collisions between the body and material, between the active and the passive, between the giving and the entangling – these are slowly interpreted through the traces. Pausing, one looks beyond the actions, beyond the pushing and pulling, the knocking, the compressing, the hoisting, the absorbing, the amassing, the lifting; beyond the interaction of substances – in search of a result; in search of relations between motion and stillness, in search of a points where forces are compressed or released. They invite us to enter their own borders, where they counteract each other, condensed, while distance is in the meantime measured to and fro; and force, sometimes locked, sometimes dissipated yet circumambient, maintains the overall balance. Between Activity and Passivity.

作品名称：共振Resonance2

装置 尺寸可变 铁、弹簧 创作年代 2018

作品故事：我们可以从巴舍拉(Gaston Bachelard)的观点中了解到，物质有其顺从性与攻击性，是非惰性的，企图去挖掘身存於内部的本质，能量与动态性间的展现，去形构出崭新的意象，在这活动中指向了一种超越，显现出想像物质与实在物质的存在之间的主动性与动态性的差异。 将如何被唤醒！ 透过不定形结构形成线性与面之间的延展，藉由手操作的劳动质感，重新对身体、物件、环境空间的感知关系做探讨。 铁板上记录着动作的过程，弹簧汇集了力量，身体与物质间的碰撞，主动与被动间，相互的给予、交缠，慢慢在痕迹中被阅读。在暂停中，去找寻拉扯、敲打、挤压、撑起，吸收，聚集，掀开，这些动作後物质间相互影响下的结果，找寻之间的动静关系以及力量的释放与聚集。它们邀请着我们进入属於它们的边境上相互牵引着，凝聚着，那段距离也在来往过程中测量着，力有时被锁住，有时扩散在空间中围绕着，维系着之间的平衡。 动与被动间 We can learn from Gaston Bachelard that matter has its own obedience and aggression. It is not inert. The attempt to uncover the essence within, to manifest energy and dynamics, to craft brand new images – such an activity points to a certain transcendence; it demonstrates the distinction of agency and dynamics between imaginary material and actual material. How It Shall Be Awakened! Through creative extensions between lines and surfaces, through amorphous structures and the quality achieved by handcraft, this work seeks to re-examine perceptual relations between bodies, objects and environmental spaces. The iron slate records the process of movement, while the spring accumulates forces. Collisions between the body and material, between the active and the passive, between the giving and the entangling – these are slowly interpreted through the traces. Pausing, one looks beyond the actions, beyond the pushing and pulling, the knocking, the compressing, the hoisting, the absorbing, the amassing, the lifting; beyond the interaction of substances – in search of a result; in search of relations between motion and stillness, in search of a points where forces are compressed or released. They invite us to enter their own borders, where they counteract each other, condensed, while distance is in the meantime measured to and fro; and force, sometimes locked, sometimes dissipated yet circumambient, maintains the overall balance. Between Activity and Passivity.

艺术家简介：1994.01.15 台湾,苗栗 Taiwan ,Miaoli 新北市 New Taipei City 国立台湾艺术大学 雕塑系 学士 国立台湾艺术大学 雕塑系 硕士（在学） Department of Sculpture Bachelor, National Taiwan University of the Arts Department of Sculpture Master, National Taiwan University of the Arts 2018 徐瑞谦创作个展 【共振】 槩艺术 2017 空气草-当代艺术中的展 国立台湾艺术大学-有章艺术博物馆/北区艺术聚落 2016 物质与身体行为徐瑞谦金属创作展 丽宝文化艺术基金会办公大楼 2016 北海岸艺术祭【向网】【交织】 2016 西螺当代艺术季【一边查看】【空间_x005f_x001f__小剧场】 2016 徐瑞谦创作个展【静态游走】 台湾艺术大学雕塑系实验展场 2016 【身】创作联展 九单艺术空间 2016 云 想 艺 金属创作联展 云清艺术中心 2015 徐瑞谦创作个展【对话】国立台湾艺术大学雕塑系实验展场 2015 云端集锐 金属创作联展 青云画廊 2018 Hsu Jui Chien solo exhibition\"Resonance\" Gaiart 2017 Air Plant:Performance Ability within Contemporary Art National Taiwan University of the Arts Yo-chang Art Museum /The Northern Campus 2016 \"Substance & Body Action Art\", Hsu Jui Chien solo exhibition, Li Bao CultureandArtsFoundation Office Building 2016 North Coast Art Field 2016 2016 Keep Observing\"\"Inner Theater\"Xi Lo Comtemporary Art Festival 2016 \"Pause>>>Move\" Hsu Jui Chien solo exhibition,National Taiwan University of the Arts, Department of Sculpture, Experimental Exhibition 2016\"Torso\"group exhibition, Nine-Single Room Experimental Exhibition 2016 \"Up and comes in clouds\"group exhibition, Elsa Art Gallery 2015 \"Dialogue\", Hsu Jui Chien solo exhibition, National Taiwan University of the Arts, Department of Sculpture, Experimental Exhibition 2015 \"Up and Comers in Clouds\", group exhibition, Cloud Gallery 2015 西螺金属创作营 2017 台湾美术新貌奖 入选 2017 第十五届桃源创作奖 入选 2017 台湾艺术大学 雕塑祭 大会奖 2016 台湾艺术大学 雕塑系 雕塑大展 金雕奖 2015 Xi Lo Metal Creation Camp 2017 The 2017 Taiwan Emerging Art Awards Honorable Mention 2017 The 15th Taoyuan Contemporary Art Award Honorable Mention 2017 National Taiwan University of the Arts Sculpture Festival General Assembly Award 2017 National Taiwan University of the Arts Sculpture exhibition The Golden Prize 出生苗栗,创作於台湾 台北 身体带领着我们感受了这个世界，创作回应对於触碰与动作後对物质产生影响的好奇，物质本身的精神性，来回的构作，是直接、亲密，似乎在唤醒未明的意识，或许模糊矛盾，从中探索着。 Born in Miaoli. Work in Taipei, Taiwan. We feel the world with our bodies and senses. Only creation can make the answer of the curiosity of the materials after the impact and actions. The spirit of the materials itself and the influence between the circulation are directly intimacy. It seems like they are awaking the unknown consciousness or exploring the ambiguous contradiction.

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来源：雅昌艺术网