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《夏梦》 40*75cm 1993年-2016年

　　欣赏程亚杰系列人体速写《春》《四月》《夏梦》时，耳畔自然而然会响起德彪西著名的一组音乐风景画《夜曲》（Nocturnes）“云”“节日”“海妖”，人们常称这三首富有印象派风格的音乐风景画为夜曲三联画。我不禁感叹音乐与绘画之间如此相通，大师与大师之间如此相同。

　　德彪西的夜曲是受印象画派启迪的结晶。在巴黎那个艺术之都，德彪西同好友比埃尔路易一起在画廊里泡几个小时，以几乎虔诚的热忱凝望他心爱的画作，“这些绘画，无论是德加，雷诺阿，马奈的印象画，还是美国画家惠斯勒（Whistler）的情意画作《夜曲》，画作上奇妙的线条和光色，使作曲家心醉神迷，乐思奔逸……”德彪西描绘自己的音乐图画是“对单一颜色做各种组合的实验，就像研究绘画中的灰色。”

　　在夜曲中德彪西注重表现大自然的光与色的变幻，用音响的明暗浓淡对比作为色彩，勾勒出朦胧迷离的画境。

　　没有比德彪西的音乐诠释亚杰的绘画《夜曲—《春》《四月》《夏梦》再贴切了，这三幅绘画夜曲是音乐的延伸与扩展，是音乐《夜曲》的视觉版，画家用的是线条，明暗，姿态，表情，演绎着美的乐章。

　　《春》尤如细丝般的弦乐，略带忧伤。

　　《四月》酒神般狂乱的旋律，生动而活泼。

　　《夏梦》梦境中的美人鱼，有一曲无词歌在低吟，远方是一片波光粼粼的音乐海景，颜色绝不止一种。

　　音乐与绘画异曲同工，是心灵相通，思想相同。大师们技法精湛，同为精神领袖。

　　画家的三幅速写完成于1993年的维也纳。在后来的二十多年间，历经学院派，印象主义，幻想写实风格的探索与融合，亚杰形成了自己的绘画语言和艺术风格，在2015年画家在《春》《四月》上添加符号数字，其含义耐人寻味，意味深长。这也许就是程亚杰为代表的拉斯维加斯画派的象征？

　　《夏梦》是在2016年最后添加符号的一幅，更让我们充满遐想，艺术家给我们带到何等的高度？

　　While appreciating the series paintings of human body sketches, including Spring, April and Summer Dream, people will naturally think of Nocturnes, the famous group of music works written by Achille Claude Debussy. Nocturne is made up of three musical pieces, including Cloud, Festival and Sea Monster. It is often said that the three songs feature an extensive impressionism. As a result, they are usually referred to as a nocturne triptych. People cannot help but wonder the huge link between music and painting as well as the profound connection between musical masters and those in painting world.

　　Debussy’s Nocturne was inspired by the impressionists. In Paris, together with his friend Pierre Louis, Debussy would stare at his beloved paintings devoutly for several hours. “These paintings,” Debussy said, “including Edgar Hilaire Germain de Gas’s, Pierre-Auguste Renoir’s or Claude Monet’s paintings, as well as American painter Whistler’s Nocturnes attract me so much. The lines, the light and the shade make composers ecstatic...” Debussy described his music as “a experiment on the combination of a certain color with others, such as on gray.”

作者：林夕