画画如登山，在不同的高度、角度，看到的风景是不一样的。

       飞瀑流泉也好，林木葱茏也罢。面对四时不同变化的景象，努力以静虚的心斋加以收纳，概括，提炼。创作时，追求物象单纯之极，简练之极，去掉复杂的空间变化，干事浓淡，只是笔笔写去，一任自然，力求墨色变化的自然和细致，画面气口充盈，物象着墨处和留白中，应有一片空明，透出淡淡的光线，和风，细雨……

       慢慢地行进，将自己的心斋平复、释放开来，展现出不同的风景。

 

Painting is similar to mountain-climbing; the view changes according to variations in height and angle at which it is observed.

Whether it is the running waterfall and flowing stream or the lush greenery, faced with the ever-changing views of the four seasons, one attempts to absorb, summarize, and refine with an empty heart. When putting brush to paper, one pursues the purest form of images, the minimal; discarding the complex variation in space and with spontaneity and delicacy, creates varied ink tones. The surface of the painting is suffused with airiness and in between the images and the empty space there should be a brightness, a soft light streaming through, gentle breeze, and light rain…

Slowing my proceeding, pacifying my heart, releasing my mind, I see different scenery.

作者：戴鹰