策展人语：

Curator's Statement:

“迷雾、暗涌、金镜”，拒绝将艺术视为慰藉，它撕开金色禅意的表象，暴露其下涌动的缺失；它瓦解水墨空灵梦境的神话，揭示现象的伤痕。在此，观众不再是美的旁观者，而是欲望结构中的共谋——每一次的凝视，都是对灵魂的确认与驱策。

“Mist, Undercurrents, and Golden Mirror” rejects the notion of art as consolation. It tears open the facade of golden Zen-like tranquility, exposing the surging absence beneath. It shatters the myth of the ethereal dreamscape of ink wash, revealing the scars of reality. Here, the viewer is no longer a mere observer of beauty but an accomplice within the structure of desire—every gaze becomes both a confirmation and a provocation of the soul.

“迷雾”，是一片在醒与半醒之间浮沉的意识森林。在水墨勾勒的迷雾森林中，墨迹如藤蔓缠绕，如树影交错，在宣纸的肌理上蔓延成一片无路之径。烟影的晕染并非遮蔽，而是一种更深的显现——事物在其中失去坚硬的轮廓，回归到彼此关联、相互渗透的原始状态。

“Mist” is a forest of consciousness drifting between wakefulness and semi-awareness. In the ink-outlined misty forest, brushstrokes entangle like vines and intertwine like shadows of trees, spreading across the texture of rice paper to form a pathless expanse. The blending of smoky shadows does not obscure but rather reveals a deeper truth—objects lose their rigid contours and return to a primordial state of interconnectedness and mutual permeation.

“暗涌”，是存在的“无穷动”，是生命本身那非目的、无始无终的涌动、生成与流变。我们看见的正是这种原初的、野蛮的生命力：在墨与水的交融中，演绎着细胞的分裂、星云的聚散、以及意识本身永不停歇的湍流，它是所有形式从中涌现又最终消融于其中的永恒的循环。

“Undercurrents” represent the “perpetual motion” of existence—the non-teleological, endless surging, becoming, and flux of life itself. What we witness is this primal, untamed vitality: in the fusion of ink and water, the division of cells, the gathering and dispersion of nebulae, and the ceaseless turbulence of consciousness itself are enacted. It is the eternal cycle from which all forms emerge and into which they ultimately dissolve.

然“金镜”，它如同禅宗公案，映照认知的局限，亦如《红楼梦》中的“风月宝鉴”。这里,“金镜”也同样具有双重属性，在其精心经营的正面，它提供了一条通往形而上的、花团锦簇的光芒路径；但若绕至其背，或许同假山一般，亦可窥其结构的迷影。它照见的，正是我们试图将迷雾般的、涌动的生命，凝固为景观般的欲望符号。

Yet the “Golden Mirror”, like a Zen koan, reflects the limitations of perception, much like the “Precious Mirror of Romance” in “Dream of the Red Chamber” . Here, the “Golden Mirror” also possesses a dual nature. On its meticulously crafted front, it offers a path to metaphysical, radiant splendor. But if one circles to its back, it may resemble a rockery—revealing the mysterious shadows of its structure. What it mirrors is precisely our attempt to confine mist-like, surging life into desire-laden symbols of spectacle.

展览现场 Exhibition Scene

左起：艺术家·方达成 / 艺术家·路琼 / 策展人·孙含露 / 艺术家·方志勇

From left: Artist Fang Dacheng / Artist Lu Qiong / Curator Sun Hanlu / Artist Fang Zhiyong

我们通过“金镜”来确认“暗涌”的存在，而“金镜”每一次的交替，便如“迷雾”，又将我们抛回那更真实、更原始的生命之中。

We use the “Golden Mirror” to confirm the existence of “Undercurrents,” and with each alternation of the “Golden Mirror,” like the “Mist,” we are cast back into that more authentic, more primordial state of life.

参展艺术家：路琼 / 方达成 / 方志勇

Participating Artists：Qiong Lu / Dacheng Fang / Zhiyong Fang

策展人：孙含露

Curator：Hanlu Sun

展期：2025年11月2日 - 2025年11月30日

Duration: November 2, 2025 - November 30, 2025

主办方：方桌艺术空间

Organizer: FUN ART SPACEY

联合承办：君时代/北京艺术中心 · 添物文化传播（北京）

Co-organizers: JUNEAR/ Beijing Art Center · Tianwu Culture Communication (Beijing)

展览地点: 中国北京望京SOHO T1 B座 20层 122009

Venue: Floor 20, Building B, Tower 1, Wangjing SOHO, Beijing, China, 122009