Abstract/Concept/ Promise
This recent series of abstract paintings createc by Dong Dafeng shows his utmost respect an d understanding for the rich traditional Chinese culture,


and his powerful desire to reinterpret and refor mulate the ancient ink painting from a contem porary perspective of multiculturalism Dong Dafen's works allude to Nature. landscape.constellations,


but are totally abstract; they are all-
over abstract ink paintings created with passio n by a fervent restless soul.
whose main target is portraying the beauty of the world.


Dong Dafeng's pictorial space is flooded by w avering forms that arise from allowing the inkt o flow and create "pseudo" shapes of clouds. mountains.or turbulent waters.


This series reveals the artists explorations ofa bstract combinations of colors demonstratingt he rich possibilities of abstract art in Chinese in k painting.


Dong Dafeng's fluid ink
dynamic brush technique,and all-over compositions have developed into a style that similar to Abstract Expressionism.


with its emphasis on chance and gesture.
His works are a persuasive manifestation of th e vitality of the calligraphic tradition.


Dong Dafengs bold brushstrokes lvrically com bine the gestural impulses of Western action p ainting with the tradition of Chinese calligraphy illustration,


reorganizing the visual sense of the ink paintin g;


this series represents a corpus of works which witness the absolute importance of Chinese in k painting as a resource for artistic developme nt in the contemporary Chinese art scene,


and also reflect the trend of contemporary arti sts for a return to one's roots within the Chines e cultural spirit.
Diana Roman

抽象/概念/承诺
董达峰最近创作的这一系列抽象派作品，体现了他对中国丰富的传统文化的高度尊重和理解，以及从多元文化的当代视角重新诠释和重构古代水墨画的强烈愿望。


董达峰的作品影射自然、景观、星空，但都是抽象的:它们是一颗炽热而躁动的灵魂以激情创作出来的全幅面抽象的水墨画，旨在描绘世界之美。在董达峰描绘的空间里，水墨流动，创造出“伪”的云、山、或湍流的形状，这些形状在空间中起伏不定。这个系列展示了艺术家对色彩抽象组合的探索，展示了中国水墨抽象艺术的丰富的可能性。


董达峰的流动的水墨，动态的笔法，以及全幅面的构图都演绎成了一种类似抽象表现主义的风格，强调的是偶然性和姿态。他的作品有力地体现了书法传统的生命力。


董达峰大胆的笔触，将西方动作画的动作冲动与中国书法插画的传统抒情地结合起来，重新组织了水墨的视觉感这一系列作品见证了中国水墨画作为艺术发展资源在当代中国艺术舞台上的绝对重要性，也反映了当代艺术家回归中国文化精神的趋势。
作者: 戴安娜·罗曼
翻译: 白蓉